The boundaries between ground-based and traditional aerial filming have dissolved, opening up a middle space with infinite visual potential. Expanding on a classic repertory of camera movements, the language of drone cinematography allows for immense variation and improvisation. Over hundreds of flight hours we have developed a visual language of precisely-articulated close and medium range aerial movements. We shoot with editing in mind, mixing wide and mid tracking and counter-tracking hero shots with flyaways, sweeps, approach pushes and detail shots, allowing directors to replace crane, jib and even dolly shots and thus save a lot of money on production. 


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